Rappers fail to give an insight beyond the apparent advantages to being a famous artist and seem to all have related themes and messages. Originality is certainly deficient; the main objective seems to be to appeal to the media and masses, not to express individuality. Labels control what music contains and in what direction it is taken, thus taking away the artistic beauty behind it.
This division of the genre is essentially those who go against the generalized version of rap that many enjoy today.
These artists avoid being signed to major labels that will ultimately take control of their music and instruct them to take a certain route with their creative expression. These incredibly original and talented artists are connoisseurs of hip-hop. Many are devoted listeners to hip-hop as a whole and are some of the biggest fans of the great rappers from the past and in turn, this heightens the caliber of their music.
Talent in this form of the music is tremendous. Flow, wordplay, lyricism, intelligence and different perceptions of certain aspects of the world are clearly evident in this sector of hip-hop. Mainstream hip-hop does have some music that is simply entertaining to listen to, but is often missing substance. In underground hip-hop, talent is limitless; the dedication of true artists is seen through their brilliant lyrics and songs that speak the hidden truths of the world.
And not everyone needs to make music. There are thousands of fantastic artists in both mainstream and underground media.
In hip-hop, you can find underground rappers like Open Mike Eagle , whose music is filled with vivid images and social commentary. Open Mike Eagle is equally as worth a listen as the mainstream rapper ScHoolboy Q , NSFW: Language who has the ability to bring you with him into the different stories he tells in his songs.
More recognizable are Vampire Weekend, who have the ability to produce a lighthearted and accessible version of their typically somber and depressing genre-mates.
You can have an equally in-depth conversation about the new Lil Wayne record as you can about the most recent Swans LP. Major labels, who operate mainly in the mainstream music business, have a national distribution system for their products.
The independents rely on others, most often, a major label, to handle their distribution. This important difference is huge in terms of opportunity for coordinated market penetration. If you do not agree with the one label industry, the corporation and business, then you are forced to go underground. An informal system has developed over time, whereby independent labels often nurture new artists and new genres, like grunge or hip hop.
If these new artists or genres grow to attracting a substantial audience base, major labels often take over. Money-driven or music-driven, that would be the big question. Jewish families, like Rick Rubin or the Beastie Boys showed Afro-American artists and families, such as the Wu-Tang family how to make money, how to stay and be creative. Not the radio pop Beat Kingz. Money took everything because the real problem is that everybody wants to be somebody by pretending being everybody else.
Important to notice, what it is to be a producer. Implementing your music, ideas on the audience and your name is on it. Taking responsibility and spending the money wisely Beat Kings.
0コメント